新世纪以来,伴随着全球化的进程,中外戏剧交流日益频繁,中国的戏剧舞台上一度出现了跨文化戏剧的改编与演出热潮,戏剧的跨文化改编研究也成为学术界的一大热点。其实早在文明戏时期,戏剧的跨文化改编与演出就大量存在并占有相当重要的地位。1907年6月,春柳社的曾孝谷执笔的话剧《黑奴吁天录》(据林纾翻译的美国斯托夫人的《汤姆叔叔的小屋》的同名译本改编)在东京上演,标志着文明戏的正式开端。1908年4月,王钟声、任天 Since the new century, with the progress of globalization, the exchange of Chinese and foreign plays has become increasingly frequent. The adaptation and performance craze of cross-cultural plays once appeared on the stage of Chinese drama. The study of cross-cultural adaptation of drama has also become a hot issue in academic circles. In fact, as early as in the Civilization Drama period, the cross-cultural adaptation and performance of drama existed in abundance and occupied a quite important position. In June 1907, the drama “Black Siren” (compiled by Lin Shu’s translated “Uncle Tom’s Cabin” by Stalin) edited by Zeng Xiaogu of Chunliu Society staged in Tokyo, The official start. April 1908, Wang Zhongsheng, Nintendo