并刀如水,吴盐胜雪,纤手破新橙。锦幄初温,兽烟不断, 相对生调笙。低声问,向谁行宿?城上已三更。马滑霜浓,不如休去,直是少人行。词学批评家吴世昌曾提出以词写故事之说,特别以周邦彦的词为例,阐述其刻画之妙。然所谓写故事,在长调和小令之中亦有区别,不仅如此,即使所写确为故事,而描写手法仍然各各有异,或详或略,或明或暗,俱见高明。这首小词出语简明,写生细腻,通过几个简单的动作和几句话,就为读者展示了一幅生动的画面。 And knives such as water, Wu Yan wins snow, broken hands, the new orange hand. Kam 幄 first temperature, animal smoke constantly, relatively Sheng Sheng Sheng. Whispered, to whom? The city has three more. Horse cream cream thick, it is better off, straight line is less people. Wu Shichang, a Ci-criticismist, has put forward the idea of ​​writing a story in words, especially taking Zhou Bangyan’s words as an example to illustrate its portrayal. However, the so-called storytelling is also different in the long-term reconciliation and the lesser one. Not only that, even though it is written as a story, the techniques of description are still different, detailed or slightly, or bright or dark. This first small phrase is concise and exquisite, with a delicate sketch. Through a few simple moves and a few words, it presents readers with a vivid picture.