明代制墨手工业得到空前发展,在安徽形成了制墨手工业的中心,休宁、婺源、歙县形成不同风格的制墨流派,制墨名家辈出,有以世代制墨为生。明嘉靖时期,以方正、邵格之、罗小华等为代表,均用油烟制墨;万历时期,以程君房、方于鲁、叶玄卿、汪春元等最具代表,发明了用“桐油烟”和“漆烟”制法,并广泛流行,其墨品均有充贡内廷。明晚期又出现成套丛墨,即“集锦墨”形式,文人监制墨品等成为一时风尚。对后世颇有影响。明代墨品制作奇巧,集多种工艺技法施于一身,除本色墨以外,还出现了一些漱金或描金彩绘的墨品,不仅注重实 Ink handicraft industry in Ming Dynasty has been unprecedented development, forming an ink handicraft center in Anhui, Xiuning, Wuyuan, Shexian different styles of ink schools, ink masters come forth in large numbers, with a generation of ink for a living. Ming Jiajing period, with Founder, Shao Gezhi, Luo Xiaohua as the representative, all with oil smoke ink; Wanli period, with Cheng Junfang, Fang Yulu, Ye Xuanqing, Wang Chunyuan and other most representative, invented the use of “tung oil smoke” and “Lacquer ” system of law, and widespread, the ink has filled Gong tribute court. The late Ming and the emergence of a series of cluster ink, that is, “Collection ink” form, literary producer ink has become a temporary fashion. Very influential future generations. In the Ming dynasty, ink-making was a bit trickier, combining a variety of techniques into one. Apart from the natural ink, some ink-ringed or gold-painted ink appeared, not only focusing on the real