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文人画是中国绘画史上的重要绘画形式,以其独有的绘画样式存在于中国绘画史上。其以抒发感情为目的,不求形似,只求神韵,在民国绘画与院体画中独树一帜,随着时代的变化和中西文化的交流,它的影响逐渐淡化。新文人画的产生究竟是一种新的绘画形式,还是对传统文人画的延伸,本文将着力于分析传统文人画与新文人画之间的关系与渊源。
Literati painting is an important form of painting in the history of Chinese painting, with its unique style of painting existing in the history of Chinese painting. Its purpose is to express feelings, not to seek the shape, but to seek the charm, which is unique in the painting and courtyard paintings of the Republic of China. With the changes of the times and the exchange of Chinese and Western cultures, its influence gradually diminished. Whether the production of new literati paintings is a new form of painting or an extension of traditional literati painting will focus on the analysis of the relationship and origin between traditional literati painting and new literati painting.