英国文坛新秀阿莉·史密斯的《饭店世界》处处播下了空缺的种子,生化了一种空缺艺术,彻底粉碎了读者对完整的审美期待。文本的空缺本质反映了现实的本真性,揭开了人的符号化的面纱,也证明了文本的开放性和阐释的无限性。走进空缺的《饭店世界》,读者会更为成熟地思考人的存在、现实的存在和文学的存在。 British literary rookie Ally Smith’s “Hotel World” sowed the vacancy of the seeds everywhere, a biochemical art of a vacancy, completely shattered the reader’s complete aesthetic expectations. The vacancy of the text reflects the true nature of the reality, opens the veil of human symbolism, and proves the openness of the text and the infiniteness of interpretation. Into the vacancy of the “hotel world”, readers will be more mature thinking about the existence of people, the reality of existence and the existence of literature.