从米开朗基罗、贝尔尼尼、吕德、卡尔波、罗丹、布尔德尔、马约尔直到布兰库西、贾柯麦谛,这些雕塑大师都把素描视为雕塑与绘画的基点,把素描作为必不可缺的修养,然而多数雕刻家未必都热心于被称作是素描的延伸的版画。近代以前,雕刻家中几乎没有在版画上有成就的例子,即或到了近代,值得注意的只有罗丹的铜版画和马约尔的木刻和石版画,进入本世纪贾柯麦谛的版画稍有成就,但和他的素描相比,无论质和量都略逊一筹。当然对于 From Michelangelo, Bernini, Lyud, Karpo, Rodin, Burdell, Mayor until Brancusi, Giacometti, these sculptors regard the sketch as the starting point for sculpture and painting Sketch as an essential accomplishment, but most sculptors are not necessarily eager to be known as an extension of the sketch print. In modern times there were very few examples of sculptors who succeeded in printmaking. In modern times, only Rodin’s engravings and Mayol’s woodcuts and lithographs worth noting were noteworthy. Some of the engravings that entered this century were slightly successful, But compared with his sketches, regardless of quality and quantity are slightly inferior. Of course