本文应用巴赫金对话理论,对华裔美国文学史中的三部重要作品《华人阿五》、《女勇士》、《喜福会》进行分析,指出三部小说为东方、西方及封建男权专制这三种声音提供了一个对话的场所。小说中的第一代与第二代美国华裔女性打破了无语状态,发出了自己声音。这些声音中有对封建男权专制的控诉,有对西方意识形态的挑战与融合。而在各种声音的对话中,小说获得了最终的意义。 Based on the Bakhtin Dialogue Theory, this thesis analyzes three important works in the history of Chinese American literature such as “Chinese Five”, “Woman Warrior” and “The Joy Luck Club”, and points out that the three novels are the authoritarian monarchy of the East, West and feudalism These three sounds provide a place for dialogue. The first generation and the second generation of American Chinese women in the novel broke the speechless state and made their own voices. Among these voices are complaints about the dictatorship of feudal patriarchy and the challenge and integration of Western ideology. In the various voices of the dialogue, the novel gained the ultimate meaning.