艺术的核心问题是“再现对象”吗?至少,在二十世纪之前的西方艺术史中,情况确实如此:艺术家通过写生的传统方式,逐渐接近再现对象的愿望。但至少一千多年前,中国的艺术家对此逐渐形成了一套新的看法:外师造化、中得心源。由此所引发的文人画浪潮,造成了之后中国的视觉艺术沿着对“心源”——“传承文化内涵”的高度重视展开,落到实践上,就是仿古、崇古之风的长盛不衰。 At the core of Western art history before the twentieth century, this is indeed the case: in the traditional way of painting, the artist gradually approaches the desire to reproduce the object. However, at least a thousand years ago, Chinese artists gradually formed a new set of views on this: foreign teachers are good fortune and have a good heart. As a result, the wave of literati painting triggered by it has resulted in the following great attention paid by China’s visual arts to the “heart” “inheritance and cultural connotation ”. In practice, Winds flourishing.