从事陶瓷美术工作的同志成天与陶瓷打交道,所接触的多是陶瓷的彩绘、器型设计,坯釉、泥料、色料等等.所以,有些同志在陶瓷美术的创作上只限于油料性能的掌握与熟练成度上,而这些技艺的获得,从现象上看似乎与学习素描无多大关系.然而,我以为并不是这样.为什么这样讲呢?要回答这个问题,首先我们应当了解一下“素描”这个概念.有些同志一提到素描,就自然地会联想到那种重光感、质感,体积感的用明暗色调来表现的那种西洋素描.其实素 Comrades engaged in the work of ceramic art all day deal with ceramics, mostly in contact with ceramic painting, type design, billet, mud, paint, etc. Therefore, some comrades in the creation of ceramic art is limited to oil performance Mastery and proficiency, and the acquisition of these skills, from the point of view seems to have little to do with learning sketches, however, I do not think so .Why do you say so? To answer this question, we should first understand the “ Sketches. ”Some comrades, referring to sketches naturally, associate themselves with the kind of Western sketches of light, darkness and color that emphasize light, texture and volume.