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“意境”是中国古代美学思想中的一个核心概念,如果按照当代科学主体论美学眼光来考察,它主要来自于审美主体的内在审美意识。本文试图从“意”——审美主体生成“意境”时的情感积累,“境”、“象”——审美主体生成“意境”时的形象寄托及审美意识组织——“意境”在审美主体中的心理结构三个方面来说明审美主体生成“意境”的内在表现情况。
“Artistic conception ” is a core concept in ancient Chinese aesthetics thought. If we examine it in the light of contemporary scientific subjectivity, it comes mainly from the intrinsic aesthetic awareness of aesthetic subjects. This paper attempts to analyze the relationship between the “emotional”, the “emotional” accumulation of “artistic conception” produced by the aesthetic subject, the image entrustment and the aesthetic expression of the “artistic conception” Consciousness organization - “mood” in the aesthetic body of the psychological structure of three aspects to illustrate the aesthetic main body to generate “mood ” inherent performance.