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中国侠文化起于春秋战国,兴于魏晋盛唐,是中国民族文化的特有形态之一。当代影视产业为中国侠文化提供了重要的表现舞台,2015年12月上映的武侠电影《师父》就集中体现了导演徐皓峰对民国初年中国侠文化变迁态势的思考。本文试从武人的技艺、品格、生存形态三方面分析这种转变,着力分析冷热兵器交替的时代背景下中国传统侠义文化的生存困境,揭示其被迫退隐的结局与命运。
Chinese chivalry originated in the Spring and Autumn Period and the Warring States Period and flourished in Wei, Jin and Tang Dynasties. It is one of the peculiar forms of Chinese national culture. Contemporary film and television industry provides an important performance stage for Chinese chivalry. The martial arts movie “Master” released in December 2015 mainly reflects the thinking of director Xu Haofeng on the changing situation of chivalrous culture in early Republic of China. This article attempts to analyze this change from three aspects: the skill, the character and the living form of the armed forces. It tries hard to analyze the survival predicament of the Chinese traditional chivalrous culture under the background of alternating hot and cold weaponry, and reveals the fate and destiny of the forced return.