“我一直强调,我不是在画春宫画,而是在画一种爱的感觉,一种轻柔的、易碎的、脆弱的美”在彭薇眼里,但凡好作品,创作过程都应如行云流水,“就像莫扎特的音乐那样,跟树长出来一样自然”。她不相信好作品是憋出来的。她画画时,电视永远开着。案子就支在客厅里,电视机就摆在旁边。某次看到安迪·沃霍尔的书,知道大画家也一天到晚看电视,彭薇大大松了一口气,从此不再有负罪感。 “I’ve always stressed that I was not painting the palace, but painting a feeling of love, a soft, fragile, fragile beauty.” In the eyes of Peng Wei, whenever a good work or a creative process Should be flowing, “” just like Mozart’s music, just as natural as a tree grows. " She does not believe good works are breezed out. The TV is always on when she draws. The case is in the living room, with the television set on the side. One time I saw Andy Warhol’s book, knowing that the great painters watched TV all day long, Peng Wei was relieved to feel guilty.