本文探讨了海峡两岸暨香港一些青年女性导演的新作。她们的新作,重归现实主义之路,还体现出一种可贵的女性作者主体性的觉醒。这些新作给我们带来了这样的启迪:我们的银幕,唯有坚守人文精神的本源性,坚守现实主义的审美底线,努力提升在文化上自主创新的力度,才能不断推动中国电影产业化的历史性进程。 This article explores the new works by some young female directors of both sides of the Taiwan Strait and Hong Kong. Their new works, return to the realism of the road, but also reflects the valuable awakening of a subjective female author. These new works have brought enlightenment to us: Only when we stick to the origin of humanistic spirit, stick to the aesthetic bottom line of realism and strive to enhance the culturally independent innovation, can we continue to promote the history of China’s film industrialization Sex process.