对于斯丹达尔的《红与黑》于连形象的分析,大多数研究者停留在形而下的层面,将于连置于资本主义上升时期进行探究。本文运用拉康的精神分析理论,尤其是“镜像阶段”的深远影响对主人公形象进行解读。认为于连在“镜像阶段”形成的理想自我将于连性格进行了自我异化,在自我迷恋的同时又加深了误认,从而必然导致想象性身份的幻灭,最终在镜子破碎时失去依照,而不得不真实地重新看待自己,实现自我的回归。 For Skandar’s “red and black” image analysis, most researchers remain at the metaphysical level and will explore even the rise of capitalism. This article uses Lacan’s psychoanalytic theory, especially the profound influence of “mirror stage” to interpret the protagonist’s image. He believes that the ideal ego formed even in the “mirror stage” will be dissimilated even with the personality, deepening the misunderstanding at the same time as the self-obsession, and will inevitably lead to the disillusionment of the imaginative identity and eventually lose the mirror when the mirror is broken , But have to truly re-look at themselves, to achieve self-return.