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1.通过这个我们时代最著名的画家之一奥马尔·嘎利亚尼的画展,意大利向中国官方和观众呈现其最优秀的一面,即我们艺术创作的重要王牌,在此表现为一个独特的作品群体,大师达到了表现上的全面成熟。 从技术形式观点看,这些作品制作上的新颖使其跻身于在欧洲和国际水平上最富创意和意义深远的艺术成果,因为艺术家把传统构图转化为独立的作品,从意义上来看亦如此,艺术家把每件作品都构筑在紧密联系的两个空间里,在每件作品的内部建立起东方文化(体现在咒语空间的金色背景)和西方文化(体现在现实形象的铅笔画的暗调背景)之间空前密切的对话。 2.在这些画中,嘎利亚尼表达出一种知识、文化和审美的观点,它源于其启蒙教育根植的古典理性主义,古希腊和古罗马传统与随着岁月逐步接近而成为他创作源泉和丰富其表现世界的东方精神之间的辩证关系。
1. With this exhibition of one of the most famous painters of our time, Omar Galiani, Italy presented its best of Chinese officials and audiences, an important trump card for our artistic creations, presented here as a unique Works groups, masters reached full performance on the maturity. From a technical form point of view, the novelty of these works makes them one of the most creative and far-reaching artistic achievements at the European and international levels because artists translate the traditional composition into an independent work, in the sense of meaning, Each piece of work is constructed by artists in two closely connected spaces, each of which establishes Oriental culture (golden background embodied in spell space) and Western culture (the dark background of pencil drawings embodied in real images) Close dialogue between the past. 2. In these paintings, Gagliani expresses a view of knowledge, culture and aesthetics stemming from classical rationalism rooted in its enlightenment education. The ancient Greek and Roman traditions became him as the years approached gradually The dialectical relationship between the source of creation and the oriental spirit that enriches its performance of the world.