李渔是明末清初的一位文坛怪杰,在其丰富的人生阅历和生活经验的基础上,形成了特立独行的戏剧理论体系和艺术化的生活观,其中所折射出的道教文化观念,也是李渔思想中的一个重要部分。本文从他“天巧自呈”的自然观、“以心为乐”的养生观、戏曲作品中的道教观念因素三个方面来对李渔审美价值取向中的道教观念进行解读。 Li Yu is a literary geek in the late Ming and early Qing dynasties. On the basis of his rich life experience and life experience, Li Yu formed a maze of theatrical theory system and an artistic outlook on life. The reflections of Taoist culture , But also an important part of Li Yu’s thought. This article interprets the Taoist conceptions of Li Yu’s aesthetic value from three aspects: his natural view of nature, the concept of keeping one’s heart healthy and the concept of Taoism in opera works.