中国书法,终究是一门线条的艺术。其书写对象是汉字,汉字本身就具备很强的思想性。这样就决定了书法能够,也必须反映书家的审美心理、审美情绪和审美境界。书法有着深远的艺术意境,其艺术意境和情与理、形与神、丰富的结字和生动的韵律相一致,其表现形式与书写内容完美的统一是至关重要的。陈继鸣的书法作品就有着一种内敛,看上去有着道家学派的那种玄远、超脱之美,其表现形式是 Chinese calligraphy, after all, is a line art. The object of writing is Chinese characters, Chinese characters themselves have a strong ideological. This determines the calligraphy can, but also must reflect the book’s aesthetic psychology, aesthetic emotion and aesthetic realm. Calligraphy has a far-reaching artistic conception, its artistic conception and emotion and reason, shape and spirit, rich knot and vivid rhythm are consistent, and the perfect unification of its expression form and writing content is crucial. Chen Jiming’s calligraphic works have a restrained, seemingly Taoist school that the kind of far-reaching, detached beauty, its expression is