川端康成的作品深受西方现代文艺美学思潮的影响,其作品常运用新感觉派和意识流手法,借情景表达内心,时空跳跃变化突兀。同时又将这种西方技法用来表达本民族的“物哀”美学观念,表达自己“生存本身就是一种徒劳”的哲学观念。这种观念的产生由其自身独特的成长经历造成的,他的作品因而又表现为对年轻女性的特别关注。本文同时还发现川端康成与电影也有很深的渊源。 Kawabata Yasunari’s works are deeply influenced by the Western modern literary and aesthetic thoughts. His works often use new sensation and stream of consciousness techniques to express their innermost feelings and spatiotemporal jumps. At the same time, this western technique is used to express the “sorrow” aesthetic concept of one’s own nation and to express one’s philosophical idea that “existence itself is a futile one.” The production of this idea is caused by its own unique growth experience, and his work thus manifests itself as a special concern for young women. This article also found that Kawabata Yasunari and the film also have deep roots.