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评析:谢云生的书法兼具魏碑,隶书和行楷,并加以篆书笔意,融入雍容和厚,从方从圆,入古之道,隶书曾师从天津文史学家姒兼山先生,收敛波磔,蚕头,加力于线条弹力,并融入北碑之方笔,以纵横取势,以逆涩用笔,追汉人风范,用线丰茂劲健,以其多年的腕力苦临,和悟化方笔的笔法总结,方切拧管之笔意,变化的墨色,形成大胆利落,形成结字方正、厚度多变,雄强,气势峻拔而风古的个人书法书风。
Comments: Xie Yunsheng’s calligraphy both Wei monument, official script and Xingkai, and to seal the pen meaning, into the grace and thick, from the party from the circle, into the ancient ways, the official script from Tianjin historian 姒 and Mr. Shan, convergence wave 磔, silkworm Head, add force in the line of elasticity, and into the North monument of the pen, with vertical and horizontal position, to use astringent brush, chasing the Han style, with the line Fengmaojian, with its many years of wrist pain, and Wuhua square pen Summed up the writing method, cut the pipe cut the pen meaning, the change of ink, the formation of bold and neat, the formation of the word is square, thick and changeable, magnificent, powerful style and style of ancient personal calligraphy style.