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六年前,在读盐野米松的《留住手艺》时,有一段话引起我深深的共鸣:“童年记忆中的各条街道里匠工们作业时工具所发出的声音没有了,他们的作坊没有了,隔窗观望他们的孩子也没有了。那是因为这些职业已经不在我们身边,只一个世代就消失得无影无踪。我是怀着一颗幢憬和向往的心灵,观望过匠工们做活的众多孩子中的一个,也是为这些职业不复存在而深感遗憾的一代人的代表……”
Six years ago, when I read Salvia Misong’s “Keeping Craftsmanship,” I was deeply touched by the passage: “There was no sound from the tools made by artisans in every street in their childhood memories. The workshops are gone, and there are no children looking through the windows, because these occupations are no longer with us, only one generation has vanished without a trace. One of the many children who worked for artisans, and the generation who deeply regretted the absence of these professions ... ”