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本文首先对《老子》第六章韵脚从音韵学的角度分析,然后着重分析“牝”、“谷”两个字的含义,以阐发《老子》的道的生成万物和作为万物之本的特征.
This article first analyzes the rhyme of the sixth chapter of Lao Tzu from the perspective of phonology, and then focuses on the analysis of the meaning of the words “牝 ” and “ ” to elucidate the genesis and formation of “Lao Tzu” The characteristics of the