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编讫本期散文,恰逢“中国文存·全国散文家笔会”刚刚闭幕。笔会期间,来自全国30余位优秀散文作家齐聚山城,共同就当前散文写作面临的处境和前景进行了深度研讨。大家各抒胸臆,赤诚以待,纷纷发表高见,场面煞是热烈。这无疑是一场“散文的盛会”。会上,散文家们谈得最多的,是有关散文的文体边界、个性化与同质化、非虚构等话题。但给我印象最深的,却是有人谈到散文是一种“高能耗低产出”的写作。这一观点,倒是十分符合我对散文的认识。由于散文这种文体的特殊性,它需要写作者毫无保留地调动自我的全部经验——情感
This essay has been compiled to coincide with the just-concluded “China Memory, National Essayist’s Plenary Meeting.” During the pen pens, more than 30 outstanding essay writers from all over the country gathered at the mountain town to jointly conduct an in-depth discussion on the current situation and prospects facing the current essay writing. Everyone express their feelings, sincere, have expressed their opinions, the scene is truly enthusiastic. This is undoubtedly a “Pride Festival ”. At the meeting, the most talked about essayist, is about stylistic boundaries of prose, personalization and homogeneity, non-fiction and other topics. But what impresses me most is that some people talk about essays as a kind of “high energy and low output” writing. This view, it touches very much on my understanding of prose. Due to the particularity of the style of essay, it needs all the experience of the writer who unreservedly mobilize himself - emotion