莎剧《安东尼与克莉奥佩特拉》主人公至死不渝的爱情并非由角色本身互为证实,相反,他们陷入了索福克勒斯的咒语,在制造罅隙的设防场境中背道而驰,互为证实变为了一场逆衬角逐,一场反力拉锯的战争使他们精疲力尽。而主人公身边的小人物伊诺巴勃斯和夏媚烟,以非主人公的身份与气质,颠覆了前者的互衬格局,为读者对主人公的预期目标彰显了可能途径。 Shakespeare’s Antony and Cleopatra’s protagonist’s never-ending love is not confirmed by the characters themselves; on the contrary, they fall into Sophocles’ mantra and run counter to the defensive circumstances that created the gap. Confirmed each other into a backwards match, a reactionary see-saw war made them exhausted. The protagonist around the little people EnoBoosi and summer Mei smoke, non-hero’s identity and temperament, subversion of the former mutual inter-pattern, for readers of the protagonist’s expected goals demonstrated possible ways.