国画的当代化,亦即国画当随时代的命题,自五四以来一直是无数画人竟折腰的问题。在“师长技”以图强的情况下,唯西论、中西结合论、唯中论等纷呈。在此过程中,我们对国画的笔墨形式、墨色技法、语言符号、空间构成、表达意趣,甚至作画工具、承载物体都进行了前所未有的演绎,形成的艺术流派琳琅满目。转眼间,我们在十字路口的徘徊探索已历两个世纪。经济是上层建筑的基础。近现代以来中国社会经济的衰落,直接导致 The contemporaryization of Chinese painting, that is, the proposition of Chinese painting as a contemporary, has been a problem for innumerable artists since the May 4th Movement. In the “teacher skills ” to map strong case, the only Western theory, the theory of Chinese and Western integration, theory and so on. In the process, we have performed an unprecedented performance on the brushwork, ink techniques, language symbols, space composition, expression of interest, and even painting tools and bearing objects of traditional Chinese painting. In an instant, we have been exploring the crossroads for two centuries. The economy is the foundation of the superstructure. The decline of China’s social economy since the modern times has been the direct result