诗歌的阅读障碍在于:诗歌的情境蕴含着许多个人密码。如果不了解李胜春,解读他在花甲之年的这些感悟显然是艰难的,尽管他的诗并不晦涩。李胜春,男,上个世纪八、九十年代活跃在营口诗坛的一线诗人。他的诗大气、开阔,有一种势不可挡的气势。那个时候我在诗歌上还刚刚起步,在盘点营口诗歌时,一下子就被他的《向大海》所吸引,继而记住了他的名字。在之后的交往中,我越来越感觉到他人如其诗,诗如其人。生活中,他的豪迈张弛有度,他的霸气 Obstacles to reading poetry are: the context of poetry contains many personal passwords. If you do not understand Li Shengchun, interpretation of his sentiment in the Year of the Flower is obviously difficult, though his poetry is not obscure. Li Shengchun, male, a poet who was active in the poetry circles of Yingkou in the eighties and nineties of the last century. His poem atmosphere, open, there is an unstoppable momentum. At that time, I was just beginning in my poetry. When I took count of Yingkou poetry, I was attracted by his “to the sea” and then remembered his name. In later exchanges, I feel more and more like other people’s poetry, poetry as people. In life, he has a heroic relaxation, his domineering