我羞于谈论我的小说。在我看来,谈创作的情形有如下几种,像劳动模范胸戴红花上台介绍经验,而我没有经验推而广之,参的是野狐禅,多半会被视为大逆不道;像导演拍了部电影,然后告诉观众,他是怎样拍成的;还有一种是魔术师挖空心思变了个戏法,又要为大家掀开底牌。刚写小说时,《花城》(2006年第1期)“花城出发”栏目做我的专辑,我写了个创作谈:“每次阅读中国作家的小说,我都松一口气,我想要的小说,还没有被他们写掉。中国当代作家的小说探险或实验已丧失殆尽(如果曾经有 I’m ashamed to talk about my novel. In my opinion, there are the following situations in terms of creation, such as the introduction of experience as an example of a model worker wearing a red flower, and I have no experience in widening it. Mostly, it is regarded as wildly dominant; , And then tell the audience how he made; there is another is a magician hollowed out a trick, but also open the cards for everyone. Just wrote the novel, ”Flower City“ (2006 No. 1) ”Flower City departure “ column to do my album, I wrote a creative talk: ”Every time I read a Chinese writer’s novel, I was relieved, The novels I want have not been written by them yet. The expeditions or experiments by Chinese contemporary writers have been exhausted (if ever