城市雕塑的兴盛,已经成为各地必不可少的一道风景凡是期待游人驻足或是在有意美化环境的位置上,总能看到各种风格的城雕。在品牌意识已经渗透到社会各角落的今天,平面设计已很难满足视觉消费之需要。于是,城市雕塑伴随着大众文化的审美趣味应运而生。城市雕塑也迅速超越了“雕塑”本身的诸多意蕴,成为城市的名片、街道的脸面、单位的招牌,甚至在某种程度上也成为各级官员文化政绩之体现。欣欣向荣之余,我们发现,在某时、某地或某些特定空间,也难免出现城市雕塑良莠不齐、鱼龙混杂的局面。那些被安排在各种场合的不恰当的城市雕塑,与其说是各自独立的个案现象, The flourishing of urban sculpture has become an indispensable part of the scenery. Whenever tourists are expected to stop or intend to beautify the environment, they can always see various styles of sculpture. Today, brand awareness has infiltrated every corner of society, graphic design has been difficult to meet the needs of visual consumption. As a result, urban sculpture accompanied by the aesthetic taste of popular culture came into being. Urban sculpture also quickly surpassed many implication of “sculpture ” itself, and became the name card of the city, the face of the street, the signboard of the unit, and even to some extent, the embodiment of cultural achievements of officials at all levels. Thriving, we found that at some time, somewhere or some particular space, it is inevitable that city sculpture mixed, quite a mixed bag. Inappropriate city sculptures, which are arranged on various occasions, are not so much individual cases as they are,