中国绘画史中,“马一角”、“夏半边”广为人知,而徐渭如泣如诉却又刚阿倔强的艺术风格,郑板桥涑涑如泪流的墨竹,似乎和马、夏的风格在情感上有着相通之处,这种相通点也就是作品的情感中心,即个中的“悲哀观”的理念,这种相通特点的形成,自有其深厚的思想渊源,与儒家思想密切相关。 In the history of Chinese painting, “Horse Corner”, “Summer Half” is widely known, and Xu Wei Ruqiurusuo but just a stubborn art style, Zheng Banqiao wandering like the tears of ink bamboo, it seems that horses and summer Style has the similarities and sentiments, which is also the emotional center of the work, that is, the concept of “sad view ” in this work. The formation of such connected features has its own deep source of thought and Confucianism is closely related.