香港乐坛的黄金一代过去了。那些叫做天王天后、歌神教父的传奇巨星都上了封神榜。靠翻唱他们出身的陈奕迅坐实了“K歌之王”这个诨名,当他走到了不逊色于前辈的高度,这个山寨的荣耀反而彰显了一种实力派歌手的低调。陈奕迅的歌声总是那么亲切、平实、不华丽、不做作。声线细腻沉稳,音色温润饱满,共鸣浑厚,咬字清晰,有一种老派歌手的诚恳。声音、气息、技巧的运用都是为了诠释歌曲蕴含的感情,从来是够用就好,绝不刻意炫耀。最难得的是,也许他用了十分难得的演唱技巧,却不留痕迹,所谓无招胜有招。 The golden age of Hong Kong’s music scene has passed. Those who are called Heavenly King, god of song godfather legendary star on the gods list. Rely on their origins, Eason Chan is a real “King of K song,” this name, when he came to a level not inferior to their predecessors, the glory of the cottage instead shows a kind of strength to send singers low profile. Eason Chan’s singing is always so cordial, plain, not gorgeous, not contrived. Delicate and steady voice, warm and full of tone, resonant vigorous, clear words, there is a sincere singer of the old school. Sound, breath, skills are used to interpret the feelings contained in the song, is always good enough, never deliberately show off. The most rare is that perhaps he used a very rare singing skills, but without leaving any trace, the so-called non-winning move.