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审美 ,是艺术区别于其它社会意识形态的本质特性 ,故此 ,创作主体和审美主体的审美注意力往往只是聚焦于美的事物 ,而丑的“魔力”则常因美的光辉而显得暗淡无光。事实上 ,丑的审美价值功能却是不容忽视的。其理在于 :首先 ,美与丑是万事万物的矛盾统一体 ,失去了对方便失去了自我。艺术表现美 ,而丑是不可或缺的。其次 ,美和丑不仅是相辅相成的 ,而且还是互相包容、相互渗透的 ,丑中蕴涵着向美转化的因子。第三 ,真善美的获得 ,离不开丑的彰显、启示和映衬 ,丑具有多方面的审美价值功能。
Therefore, the aesthetic attention of the creative subject and the aesthetic subject tends to be focused on the beautiful things, while the ugly “magic power” often appears bleak due to the beauty of the beauty. In fact, ugly aesthetic value function can not be ignored. The rationale is that: First of all, beauty and ugliness are the contradictory unity of all things, losing oneself and losing oneself to others. Art shows beauty, but ugliness is indispensable. Second, beauty and ugliness not only complement each other, but also contain and permeate each other. Ugliness implies a factor that is transformed into the United States. Third, the acquisition of truth, goodness and beauty can not be separated from the manifestations of ugliness, enlightenment and backing. Ugly has many aesthetic value functions.