皮埃尔·波利在国际乐坛上是一位真正称得上多才多艺的人物。这位颇为不拘小节的法国作曲家,身上同时兼有着数学家卓越的头脑和音乐家灵敏的耳朵,曾经是战后连本音乐运动的主要理论家。在1971年至1977年期间,他担任过纽约交响乐团的指挥,把象李斯特这样家喻户晓的作曲家创作的鲜为人知的作品介绍给听众,并且把这些作品演奏得象德彪西的《海》那样明晰、深刻而使听众惊愕不已。在他的指挥 Pierre Polly in the international music is a truly versatile figure. The rather informal French composer, who at the same time possesses the extraordinary mind of a mathematician and the sensitive ears of a musician, was once the main theorist of the post-war music movement. From 1971 to 1977 he was the conductor of the New York Symphony Orchestra, introducing little-known works by well-known composers like Liszt to the audience and playing them like Debussy’s “Sea ”That clear, profound listener amazed. In his command