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现在这部庞大的二十卷本的《格鲁夫辞典》同前几版已相去甚远,其主编斯坦利·塞迪甚至拒绝称之为第六版。他说97%的条目都已更新。塞迪是一位五十二岁的英国音乐学家,《音乐时代》的主编,多种批评性论著的作者,他不仅纠正了《音乐季刊》前任主编P.H.朗格所批评的第五版的缺点,而且还收入了详尽的参考书目,扩充了诸如分析、表现主义、理论和调式等几个方面的条目,以及关于主要城市的音乐生活的条目和诸多的资料翔实的传记性条目。……但还是要重复朗格对第五版的批评,因为《新格鲁夫》(如同第五版)只是在一些方面展现了音乐学术成就的现状……而在对理论、二十世纪音乐、音乐与科学技术的关系以及美国音乐戏剧和爵士乐等方面的论述尚有许多不足之处。——琼·佩瑟(《音乐季刊》主编)
Now that the huge 20-volume “Grove Dictionary” is far from the previous editions, its editor-in-chief Stanley Seddi even refuses to call it the sixth edition. He said 97% of the entries have been updated. Zedi, a 52-year-old British musicologist, editor of Music Times and author of a variety of critical works, not only corrected the fifth edition of PHL, criticized by former editor in chief of Music Quarterly Shortcomings, but also an exhaustive bibliography, expanded articles such as analysis, expressionism, theory and modalities, as well as articles on the music life of major cities and numerous informative biographical entries. ... but to repeat Lange’s criticism of the fifth edition, since the “new Grove” (as the fifth edition) only shows the status quo of the academic achievements of music ... in some aspects ... but in theory, the twentieth century music , The relationship between music and science and technology as well as the American music theater and jazz and other aspects of the discussion there are still many deficiencies. - Joan Petse (editor of Music Quarterly)