主竞赛单元无一入选,第69届威尼斯电影节让不少中国电影人感到些许失落。对此,担任本届威尼斯电影节主竞赛单元评委的中国香港导演陈可辛1日接受新华社专访时表示,中国电影拥有未来,此次失利并不代表着没落。威尼斯电影节与中国电影渊源颇深,从最早在1989年斩获金狮的侯孝贤导演的影片《悲情城市》,到后来大家所熟知的《秋菊打官司》、《一个都不能少》,再到去年的《桃姐》、《人山人海》,水城一向是华 The main competition unit were selected, the 69th Venice Film Festival so that many Chinese film people feel a little lost. In this regard, as the current Venice Film Festival competition unit judges Hong Kong director Peter Chan on the 1st Xinhua News Agency interview said that the Chinese film has a future, the defeat does not mean decline. Venice Film Festival and the deep origins of Chinese film, from the earliest in 1989, the Golden Lion Hou Hsiao-hsien film director “Sad City” to later known as “Qiu Ju litigation”, “one can not be less,” to Last year’s “Peach sister”, “crowded”, Watertown has always been China