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根的艺术,正在以其它造型艺术所无法比拟的独特的风格属性,实验并发展着新的造型语汇、创造着新的美的式样。但她毕竟是年轻的。怎样才能使这门艺术,不管是在理论上,还是在实践上,都达到更高的层次呢?从《母子情》等一些作品中,我看到了这样的希望。根艺作品《母子情》(见1992年7月号),构思与立意都很独特。它主题鲜明、生动;构图(包括配座)既简炼,又富于动感。母与子的视觉形象完全是由相连的根的自然弯曲组成,由凸与凹所形成的线、
The root art is experimenting with and developing new stylistic vocabulary with unique stylistic attributes unmatched by other art forms to create new aesthetic styles. But she is young after all. How to make this art, whether in theory or in practice, reach a higher level? I have seen such hope from some works such as “mother-child love”. Root art work “mother and child love” (see July 1992), the concept and intention are very unique. Its theme is vivid and vivid; composition (including with seat) is both concise and dynamic. The visual image of mother and child is entirely composed of the natural bending of the connected roots, formed by the convex and concave lines,