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《红楼梦》第七十八回,曹雪芹借宝玉之手写了一首题为《(女危)(女画)词》的诗,内容是赞美林四娘的忠义精神,但其中有作者的点睛之笔,它表达了宝玉反封建传统的异端思想,是与作者“赞美女性”的创作主旨相一致的。在情节上这首诗是宝玉在睛雯之死到制作《芙蓉女儿诔》之间的过渡,两诗一为引,一为本,相辅相成,都闪耀着民主思想的光辉,可看成是《红搂梦》反封建主题的重要组成部分。
The seventy-eighth back of the “Dream of Red Mansions”, Cao Xueqin borrowed a handwritten poem entitled “(female danger) (female painting) word” poem, content is praise Lin Siniang loyalty spirit, but among them the author’s finishing touch, It expresses the heresy of Baoyu anti-feudal tradition and is consistent with the author’s main idea of “complimenting women”. In the plot, this poem is the transition of Baoyu from the death of Jingwen to the production of “Hibiscus Daughter.” The two poems, one for the other, complement each other, shine with the gloriousness of democratic thought and can be regarded as “ Red hug ”anti-feudal theme of the important part.