乡村空间长期以来是我国电影关注的对象,在长期的探索中,中国乡土电影也形成了稳定中又有变化的审美旨趣。应该说,观众在电影中看到的乡土实际上应该理解为一个空间符号,它的意义是文化地理学上的。《喊·山》(2015)可以视作是近年来国产电影中难得的、较为纯粹的、典型的,同时又表现出一定艺术水准的乡土电影。文章从乡景民俗的展现、抒情性镜头的运用、中性化的转述视角三方面,由《喊·山》看中国乡土电影审美旨趣。 Rural space has long been the object of attention in China’s movies. In its long-term exploration, Chinese local films have also formed a steady and changing aesthetic interest. Should be said that the audience in the movie to see the native should actually be understood as a spatial symbol, its significance is cultural geography. “Shout · Mountain” (2015) can be regarded as a rare, purer and typical local movie that has shown a certain artistic standard in domestic movies in recent years. From three aspects of the folk scene of the townscape, the use of the lyrical lens and the perspective of the neutrality, the article looks at the aesthetic purport of Chinese local films from “Shout · Mountain”.