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三、晚明哲学的“情”“理”之争任何哲学本体论的建立,都必须在性命之理上讲得通,都不得在人生境界与艺术境界上落入虚妄,都必须符合情与理的真实存在,唯此,其为艺术哲学的本体论,才能真正有益于社会人生,有益于艺术创作。晚明哲学自然情性论也是这样。它能不能于性命之理上讲得通,能不能在人生境界与艺术境界上不落入虚妄,直接关系着后来诗歌、小说、戏剧等文学艺术的发展,自然也关系着怎样理解《红楼梦》情感本体论问题。而晚明哲学自然心性本体论又是在“情”与“理”之争中发展的,因
Third, the philosophy of late Ming Dynasty Must conform to the true existence of love and reason. Only this is the ontology of artistic philosophy that can really benefit social life and is good for artistic creation. The same goes for the philosophy of natural sentiment in late Ming Dynasty. Whether it can be justified on the principle of life or not can not fall into an illusion in the realm of life and the art realm is directly related to the later development of literature and art such as poetry, novels and drama. It also naturally relates to how to understand “Dream of Red Mansions” Emotional ontology. And late Ming natural philosophical nature of the nature of the ontology is in the “love” and “rationale” in the development of the dispute, due to