本文从两方面探讨“仁与乐”的关系,一是从“时间”和“空间”的意识出发,探讨原先在《论语》中孔子从“时间感”建构起来的“仁与乐”的关系如何在荀子的礼乐思想中出现由“空间感”所论证的关系。其次,本文尝试从“美学”的观点挖掘“仁与乐”的关系,指出在先秦儒家的乐论中,“表现”与“模仿”(或“再现”)是“仁与乐”之最主要的美学关系。 This article explores the relationship between “benevolence and music” from two aspects. First, from the consciousness of “time ” and “space ”, we discuss the original construction of “sense of time” by Confucius in The Analects How the relationship between “benevolence and music” appears in Xunzi’s ritual and musical theory as demonstrated by the sense of “space”. Secondly, this paper attempts to explore the relationship between “benevolence and music” from the perspective of “aesthetics” and points out that in the music of pre-Qin Confucianism, “performance” and “imitation” ) Is the most important aesthetic relationship of “benevolence and music”.