高扬的雕塑塑造与绘制结合,正是古代中国以及西方雕塑的传统方式,但其间的艺术难度非同一般,高扬的作品《画中人》看似只是直接将绘画作品转换成雕塑作品,但艺术家在这个系列中解决了很多具有实验性的雕塑语言推进问题。“扁平化”看似简单,却存在很多具体的操作困难,哪里要压扁,哪里要留圆,压迫的尺度如何把握,都需要作者一一解决,而且,最终呈现出的整体要浑然天成。我们可以在这个系列的四、五件作品中看到艺术家 The combination of high sculpture and drawing is the traditional way of sculpture in ancient China and the West. However, the difficulty of the art in this period is extraordinary. The tall painting “Painting a Man” seems to be a direct translation of the painting into a sculpture, but the artist In this series to solve a lot of experimental sculpture language promotion. “Flat ” Seemingly simple, but there are many specific operational difficulties, where to squash, where to stay round, how to grasp the scale of oppression, the authors need to solve one by one, and ultimately the overall picture to be seamless Tiancheng. We can see the artists in four or five works in this series