张修瑞:桑恒昌先生以怀亲诗享誉诗坛,在人们的印象中,他的多种题材的诗作篇幅都不长,《山东诗人》这次集中推出他的精短作品129首,是否预示着诗人创作的某种转向?是否有着某种节点性的意义?您一向追踪关注桑恒昌先生的创作,能否就此谈谈您的认知?马启代:您问的问题非常好。一个诗人肯定有自己钟情和擅长的题材,但按题材甚至按风格来框定一个诗人的创作显然是有失偏颇的。桑恒昌先生是位个性鲜明的诗人。在近百年的新诗史上,在题材、风格上卓然不群的诗人并不多。把怀亲诗放到桑恒昌先生半个世纪的创作生涯上来看,那显然是一个阶段性的现象。透过文本探入桑 Zhang Xurei: Mr. Sang Hengchang is a poetic poem known to the world, in his impression, his poems are not long for a variety of subjects, “Shandong poet” this concentrated introduction of 129 his first short works, whether heralding Is there some sort of nodal significance in the poet’s turnaround? Has you always followed the creation of Mr. Sang Hengchang? Can you talk about your cognition? Ma Qidai: The question you asked is very good. A poet must have his favorite and good subject matter, but according to the theme or even style to frame a poet’s creation is obviously biased. Mr. Sang Heng Chang is a distinctive poet. In the history of new poems in nearly a century, there are not many poets who are far-fetched in themes and styles. It is obviously a phased phenomenon to put the pregnant poem into the creation career of Mr. Sang Hengchang for half a century. Explore Sang through text