张韧的水墨画从形态上说,是一种寄寓个人自我性灵的新文人画,所谓“性灵”实际上就是人的性情,国为“性情遭遇,人人有我在焉”(袁枚语)。画有难其真,有性情而后真。缘此,发乎自然,性灵所寄,他的画不求庄重严律,而由法度、琢磨而至自然率性:不求工巧物趣而直寻澹然天趣,从格调上来看,张韧的画属清逸一格,用笔简而 In terms of morphology, Zhang Ren’s ink-and-wash painting is a new literati painting that embodies personal self-nature. The so-called “spiritual spirit” is actually a human nature. The country is “temperament encounter, everyone has me” (Yuan Mei language). It is hard to draw, true temperament then true. Therefore, from nature, the spirit of the sent, his paintings do not seek solemn and strict law, but by the law, pondering the nature of the rate: not seeking workmanship fun and straightforward straightforward, from the style point of view, Zhang Ren The picture is a clear style, with a simple pen