“画得真像。”“板儿爷”们赞叹着,但心里却觉得李春阳有点怪:“画我们干吗,又不好看,你应该画点好看的。”李春阳嘿嘿笑着,他难以向这几位解释自己为什么那么关注底层百姓的生活状态。他画的不只是北京的“板儿爷”,还有街头的卖茶女和下岗工人、乞丐、修理工和理发师。为此他常去早市和公园转悠。 “Painted like.” “Ban Yeh,” who admired, but I feel Li Chunyang a little strange: “Draw us why, not good-looking, you should draw some good-looking.” Li Chunyang Hey smile, he is difficult to this Several explain why they are so concerned about the bottom of the people's living conditions. He painted not only the “Ban Yeh-yeh” in Beijing, but also the tea-houses and laid-off workers on the streets, beggars, mechanics and hairdressers. To this end he often went to the morning market and park wandering.