朵渔是一个下黑棋的人。但生活和棋盘不同,在生活中,执黑者不仅没有先行的优势,更需要一直承受着贴目的负担。如果你选择了写诗,或者更确切地说,因为写诗而养成了各种不平则鸣的毛病之后,你将只能和朵渔一样从负数出发。四年过去了,从《追蝴蝶》到《最后的黑暗》,他需要贴出的目数不减反增,但这并不是因为落于后手的追赶无力,而是选择下白棋的对手越来越多,在追蝴蝶的十年里,他对抗着虚无美学、肉体绷带、个体锁链和政治强吻,中年之后,他更 Duo fishing is a black chess people. But life is different from chessboard. In life, being black-handed not only has no prior advantage, but also needs to bear the burden of sticking to purpose. If you choose to write poetry or, more precisely, write poetry to develop a variety of injustices, then you will only be able to go from negative numbers like Duo Yu. Four years have passed. From “chasing butterflies” to “the last darkness,” he needs to increase the number of posts without dampening the increase, but not because of the catching-up power of his backhand, but of choosing the opponent under White More and more, in the ten years of chasing butterflies, he confronted nothingness aesthetics, body bandages, individual chains and political kissing. After middle age, he even more