农村室内装饰属于服饰文化的范畴,是环境文化的一项内容,是一种历史悠久的文化现象。 由于时代和地域不同,室内装饰所反映的内容与民俗也不大相同,仅就南阳地区的农村室内装饰而论,主要具有以下特点: 一是内容的可变性:解放初期,农村住宅是三合院、三间堂屋、两间偏房,堂屋中间悬挂有“三皇五帝”图象,观音、地藏菩萨图象,或“供奉”天地君亲师“牌位等,后来普遍改为张贴党和国家领导人画像,主要是毛泽东的画像。文革期间,大多数农村堂屋室内装饰是种类繁多的“忠”字和毛泽东像,偶有少量年画,也是几个样板戏的剧照。党的十一 Rural interior decoration belongs to the category of costume culture and is a content of environmental culture. It is a cultural phenomenon with a long history. Due to different times and regions, the content reflected by interior decoration is not the same as folk custom. It is only about the rural interior decoration of Nanyang area. It mainly has the following characteristics: First, the variability of content: In the early days of liberation, the rural house was a courtyard house, Three rooms and two rooms, with the image of the “Three Emperors and Five Emperors” hung in the middle of the room, the images of Guanyin and Jizo Bodhisattvas, or the “respect for” the progenitor of the Heaven and Earth, “the tablets, and so on. Later they were generally changed to show portraits of party and state leaders. Mainly portraits of Mao Zedong during the Cultural Revolution, most of the rural houses were decorated with a variety of “loyalty” characters and Mao Zedong statues, with a few new year pictures and still a few model operas.