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非线性的情节结构、内心独白式的台词表述、生死不分的人物存在、戏里戏外的跳进跳出,似乎是一台全无逻辑的时长近三个小时的话剧,却紧紧地抓住了观众,赢得了共鸣,并获得了由剧场延展到社会之上的喝彩声。这部源于李敖小说《北京法源寺》的同名话剧,在编剧兼导演田沁鑫的重新解构、组合中,呈现出一种异样的风采。其情节截取的是戊戌变法时期,谭嗣同、康有为、袁世凯、光绪、慈禧等相关历史人物在家国兴衰、生命存亡
Non-linear plots structure, inner monologue lines, the presence of life and death of the characters, jumped out of the drama, seems to be a logic-free period of nearly three hours of drama, but firmly grasp Lived the audience, won the resonance, and won the theater extended to the applause above society. This drama of the same name from Li Ao’s novel “Beijing Fayuan Temple” presents a strange style in the re-deconstruction and combination of screenwriter and director Tian Qinxin. The interception of the period of the Reform Movement of 1898, Tan Sitong, Kang Youwei, Yuan Shikai, Guangxu, Empress and other related historical figures in the country rise and fall, life and death