杜甫的《归雁》和韦应物的《闻雁》都是诗人因人生的不幸而远离家乡的思乡诗,都是借飞过的大雁表达思乡之情,结构上都是先用前两句铺垫,再用后两句核心意象将诗情引向高潮,都用大雁的意象来传达思乡之情,均达到了动人的艺术效果。但是,两首诗的艺术水准还是有较大差异:《归雁》显然表现了更深厚的情感,作者以更广阔的同情心对自己的命运给予了观照,诗歌给读者的冲击力更强,《归雁》的艺术水平更高。这种效果的造成,来源于《归雁》的作者在诗中充分地制造了张力;相比而言,《闻雁》的张力就显得薄弱得多,尽管它在艺术上因为有动人的意象也可算是优秀的诗篇。 Both Du Fu’s “Guiyan” and Wei Yingwu’s “Wen Yan” are poet’s homesick poems which are far away from home because of their unlucky life. They all express their homesick feelings by flying geese. Both structures are paved with the first two sentences, After a second sentence of the core image of poetry leads to orgasm, are used to convey the image of wild goose homesickness, have reached a moving artistic effect. However, the artistic standards of the two poems are still quite different: “Guiyan” apparently showed a deeper emotion, the author gave more consideration to his own destiny with more compassion, and poetry gave the reader more impact, Guiyan has a higher artistic level. This effect resulted from the fact that the author of Guiyan created enough tension in the poem; in contrast, the tension of Wen Yan was much weaker, though it was artful because of moving images Can also be regarded as excellent poetry.