“笔墨”这一概念既包含材料媒介特性,又包含着更丰富、更深厚的艺术语言系统。将笔墨置于何种位置看起来只是一个艺术表达方式的选择,但其背后却是不同的艺术价值观与艺术评判标准的差异。笔墨的媒介特性指将笔墨视作一种媒介,一种材料而非一种规范。石涛对笔墨这一概念的界定也包含了材料技法的因素:“夫画者,形天地万物者也。舍笔墨其何以形之哉?墨受于天,浓淡枯润随之;笔操于人,勾皴烘染随之。”仅从材料技法的角度而言,笔墨与现代社会大众之间的鸿沟在逐渐拉大。这是 The concept of “ink and brush” embodies both the material media and the richer and deeper art language system. The location of the pen and ink seems to be a choice of artistic expression, but behind it is the difference between different artistic values ​​and artistic judgment standards. The media of pen and ink refers to the pen and ink as a medium, a material rather than a norm. Shi Tao on the definition of the concept of pen and ink also includes the material technique of the factors: “Fu painter, heaven and earth everything also .When the pen and ink why the shape of zai? Ink by the sky, , Followed by collusion. ”Only from the material technique point of view, the gap between pen and ink and modern society is gradually widening. this is