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自由审美与浪漫审美一直是中西方美学主题,也是中西方千年未决的祈盼和难题。自由审美作为审美纵向逻辑一直是贯穿于西方审美心理的主线;而浪漫审美逻辑作为17世纪中叶以来崛起的审美范式业已体现出不同的表达样式。它和自由审美共同构成了纵横交织的审美逻辑及其演进——从理性到非理性的人本逻辑,从我思到我在的反思逻辑,从寓言到身体的救赎逻辑。这三者在纵向演进的途中共生并相互绵延和交织;同时,这三者的演进也都体现了从外部客体到内部主体的自觉自由立场和自我的回旋反照。然而,在现代性的催逼之下,自由和审美逻辑及其表现形式也都是步履维艰并走向了终结。
Free aesthetic and romantic aesthetic has always been the theme of Chinese and Western aesthetics, but also the pending prayers and problems for thousands of years both in China and the West. The free aesthetic as the longitudinal logic of the aesthetic has always been the main line penetrating the aesthetic psychology of the West. However, the aesthetic paradigm of the romantic aesthetic logic, which has risen since the mid-17th century, has shown different expressions. Together with the free aesthetic, it constitutes an intertwined aesthetic logic and its evolution - from rational to irrational humanistic logic, from the thinking logic of my reflection to the logical logic of redemption to the body. The three are symbiotic and interwoven with each other on the way of vertical development. At the same time, the evolution of these three also reflect the self-conscious and free position and self-reflection from the external object to the internal subject. However, under the urging of modernity, the logic of freedom and aesthetics and its manifestations are also struggling and coming to an end.