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在此通过社会心理学的研究,分析了观众的欣赏口味的变化所引起的演员演唱中的变化。以老生行当形成主流的一脉“程长庚——谭鑫培——余叔岩——杨宝森”作为贯穿全文的主要线索,分析他们演唱的发声方法逐渐产生的变化,以及观众的欣赏角度所发生的变化。从原先的实大声宏到婉约苍凉,再到韵味持久,再到以情动人,这种演唱时所展现的不同风格也反映出观众对于京剧艺术本身所提出的要求。
Through the study of social psychology, this article analyzes the changes in the performers’ performances caused by the change of audience’s appreciation taste. As the main clues of the whole article, Cheng Changgeng - Tan Xinpei - Yu Shuyan - Yang Baosen ’s analysis of the gradual changes of the vocal methods they perform and the change of audience appreciation point . From the original loud macro to graceful desolate, to the lasting flavor, and then moving to the situation, the performance of this concert also reflects the different styles of the audience for the Peking Opera art itself put forward the request.