学院派绘画是以语言与形式的实验为特点的，因而它不能不表现出一种强烈的技术主义倾向。一个明显的事实是，如果绘画的意义指向技术的炫耀，那么绘画的语言实验与形式实验便仿佛成为无生命的符码，切断了言与意之间的关联，似冷漠的玩具一样被随意拆解和拼装。学院派绘画过度 Academic painting is characterized by the experiment of language and form, so it can not but show a strong tendency of technicalism. The obvious fact is that if the meaning of painting points to the display of technology, then the language experiments and formal experiments of painting seem to become inanimate codes, cut off the connection between words and feelings, and the toys like indifference are randomly disassembled Solution and assembly. Academic school painting over